Practice
Kinds of work. Not a cart.
Until a rate card exists, these pages describe the work implied by public titles — not packages, not a client wall we invented, not a label services menu.
Artist ops is the week. Brand is how someone walks in. Hospitality is the table. None of these pages say "we manage X" until Phirany writes that sentence.
The nearest proof is already standing: Kee's public site for the week, this book's refusal to fake a roster, 5Oceans for the night. Judge the practice by those rooms.
What a rate card needs
A price. A scope. A named mailbox.
Until those exist, write kee@konnectmusicgroup.com. Do not infer a client list from a sister site.
A title when it is named. A player when it answers. Kee's public site is the example. Not a signing, and not a rate.
August 2017, Los Angeles metro. Two names we can print. One mailbox: kee@konnectmusicgroup.com.
5Oceans, as atmosphere. Chef Corey named. No menu, hours, street, prices, or dishes on this floor.
What the week looks like
Three doors. No price. The method can be public. A cart cannot, because there is not one.
- DaysArtist ops. A title sits when it is named. A player sits when it answers. A date sits when a city, a door, and a ticket are real. Kee's public site is the example in the house: three 2026 titles, then stop. It is not a signing, and it is not a client we are claiming. There is no rate card on that week.
- The walkBrand. The first object is a sentence we can source. August 2017, Los Angeles metro. Phirany Sun and Kee. One mailbox: kee@konnectmusicgroup.com. A general house inbox has not been named. A roster added so the room looks busy gets cut.
- The nightHospitality. 5Oceans is the concrete room: a symphony of the sea, Chef Corey, vibe as color in the restaurant's own sentence. No menu on this floor. No hours. No street. No dishes. No prices. Reservations stay on the restaurant. His public label remains Brick Squad Monopoly.